Awakening

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Awakening

Thou wast not born for death, immortal Bird!

John Keats, Ode to a Nightingale

McGlennon’s parrots stand in opposition to the cultural roles that have been mapped out for these birds. They are not subject to human whims, nor obliged to play the comedian to an audience. In these impossibly sharp-focused vignettes they appear as indigenous warriors standing guard over their ancestral lands, their plumage exhibited with pride and defiance. They are lords and guardians of the bush overseeing the grand, Romantic spectacle of life returning from the ashes.

John McDonald, 2020 full essay on page 13 of the exhibition catalogue.

Awakening was Jospeh McGlennon’s 9th solo exhibition with Michael Reid in the Ballroom of The Bond Building, Woollahra. In Awakening McGlennon presents the native Australian birds as heroic survivors of the bushfires displaying themselves triumphantly against bare landscapes and brooding, cloudy skies. They are romantic figures: as indomitable as the earth itself, as proud as soldiers who have won a victory over a deadly enemy.

Spéirling

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Spéirling

  • Artist
    Luke Shadbolt
  • Dates
    23 Jul—18 Aug 2020
  • Gallery Location
    Eora / Sydney

Spéirling was Luke Shadbolt’s 2020 exhibition which took place at our former Surry Hills Gallery. Following on from his previous series Maelstrom and Acquiesce The Front, Shadbolt has drawn from sculptural and painterly influences to capture an intriguing frontier, creating a resonant point somewhere between art and raw nature.

Inis Meáin is the location of these striking images, located in the middle of the three Aran Islands off the Western Coast of Ireland. A land of sharp contrasts carved over eons; of pristine temperament punctuated by moments of crushing violence. The sheer power of the surrounding ocean attested to by the boulders littered atop the island’s mighty cliffs, tossed over 150ft from the very depths of the dark waters below.

Master Weavings

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Master Weavings

MANINGRIDA Arts & Culture is a pre-eminent site of contemporary cultural expression and art-making, abundant with highly collectable art and emerging talent.

Through their homelands resource organisation, Bawinanga Aboriginal Corporation, artists turned an art trade that began just over 50 years ago into an arts and cultural enterprise.

Ways of learning and schools of art in Arnhem Land are based around a system of passing knowledge and information on to others. The art here has its genesis in body design, rock art and cultural practices, in concert with more than 50 years of collaborations, travel and political action to retain ownership of country. Values and law are expressed through language, imagery, manikay (song), bunggul (dance), doloppo bim (bark painting), sculptures, and kun-madj (weaving) – the arts.

Maningrida Arts & Culture is based on Kunibídji country in Arnhem Land in Australia’s Northern Territory. The area where artists live encompasses 7,000 square kilometres of land and sea, and over 100 clan estates, where people speak more than 12 distinct languages. Aboriginal people in this region are still on country, surviving and resilient because their country is the centre of their epistemology, their belief system, culture – djang.

This exhibition of recent weavings contains handiwork by Dorothy Bunibuni, Vera Cameron, Winnie Mason, Indra Prudence, Margot Gurawiliwili, Roxanne Carter & Jessie Rostron.

Eclectus Australis & McGlennon’s Audubon Folio

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Eclectus Australis & McGlennon’s Audubon Folio

Jospeh McGlennon’s Eclectus Australis series and Audubon Portfolio made their worldwide debut at Melbourne Art Fair 2018.

The 19th Century saw a rapid evolution in the publication of natural history books. Magnificent large-scale tomes, sumptuously bound and illustrated with hand-coloured plates, celebrated all the latest discoveries of exotic birds and animals around the world. The ornithological genius that was John James Audubon (1785-1851) had as his magnificent contribution to the world, an “elephant folio” of such engravings entitled; The birds of America: from drawings made in the United States and their Territories, 1840-1844.

It was however, Audubon’s user-friendly far more accessible library folios, of bird studies that circulated his reputation across the globe. The contemporary artist Joseph McGlennon, drawing on Audubon’s twin notions of the grand and lavish alongside the lavish and accessible – inspired the artist to undertake Australian Bird Studies from McGlennon’s Audubon Folio, 2018.

Capturing many of the birds to be found in the large-scale series Eclectus Australis, 2018, the McGlennon folio channels the 19th century notion of art as an intimate collecting pleasure. An older style of viewing to be experienced in the art of now. A viewing to be experienced slowly, colour plate by colour plate; to be savoured in private and at the collector’s leisure.

Joseph McGlennon
Eclectus Australis – Two Galahs, 2018
$4,000$8,000
Joseph McGlennon
Eclectus Australis – African Grey Parrot, 2018
$4,000$8,000
Joseph McGlennon
Eclectus Australis – Black Cockatoo, 2018
$4,000$8,000
Joseph McGlennon
Eclectus Australis – Two Cockatiels, 2018
$4,000$8,000
Joseph McGlennon
Eclectus Australis – Indian Peacocks, 2018
$4,000$6,000
Joseph McGlennon
Eclectus Australis – Brown Goshawk, 2018
$4,000$8,000
Joseph McGlennon
Eclectus Australis – Galah, 2018
$4,000$8,000
Joseph McGlennon
Eclectus Australis – Three Cockatiels, 2018
$4,000$8,000
Joseph McGlennon
Eclectus Australis – Australian Barn Owl, 2018
$4,000$8,000
Joseph McGlennon
Eclectus Australis – Salmon Crested Cockatoos, 2018
SOLD
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio, 2018
$8,800
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – Black Cockatoo
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – Eclectus Green Parrot
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – Eclectus Red Parrot
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – Gang-Gang Cockatoos
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – Grey Goshawk
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – Kookaburra
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – Lord Derby’s Parakeet
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – Palm Cockatoo
Joseph McGlennon
Australian Bird Studies from McGlennon’s Audubon Folio – White Breasted Sea-Eagle
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