Located in the vibrant inner-city suburb of Chippendale, Michael Reid Sydney has an outstanding international reputation with expertise in contemporary photography, Australian First Nations art, contemporary painting and secondary market services.
18 Sep 2026
Tamara Dean wins the 2026 Bowness Prize
Congratulations to Tamara Dean who has been named the winner of the 2026 Bowness Photography Prize, Australia's most significant honour for Photography. Metamorphosis was selected from 50 finalists drawn from more that 750 entries. The winning work will be on display at the Museum of Australian Photography, Melbourne until November 8.
19 Sep 2026
18th Lyon Biennale NOW OPEN: Mai Nguyễn-Long
Mai Nguyễn-Long exhibits a new iteration of her ongoing Vomit Girl project at the 18th Lyon Biennale, whoch is now open. Curated by Catherine Nichols, this exhibition spreads across several emblematic sites in Lyon
12 Nov 2026
Max Dupain
The State Library of NSW's Definitive Dupain, free until 18 July 2027, is the first retrospective to cover the full sweep of Max Dupain's sixty-year career. Curator Avryl Whitnall spent five years in the Library's archive of more than 250,000 negatives and prints. From it she has drawn almost 200 images, ranging from Sunbaker to architecture, fashion, war and intimate personal work, many of them never seen before. Michael Reid's Max Dupain: A Nation on the Sand (until March, 2027, Chippendale) is the market's counterpoint. It offers twenty prints for sale, led by Sunbaker, Bondi and At Newport, alongside surf scenes, nudes and modernist experiments.
18 Sep 2026
Carly Le Cerf: Regional Arts Triennial- Radical Futures
Carly Le Cerf and Jean-Michel Maujean present their experiential installation at the WA Regional Arts Triennial – Radical Futures. This exhibition brings together 49 artists and considers how regional communities imagine, make and care for the future. Radical Futures is now on view at John Curtin Gallery, Perth.
4 Sep 2026
Margaret Preston: A Collection of Important Prints
The National Gallery of Victoria's, Margaret Preston, the first retrospective of the artist in more than twenty years, runs at NGV Australia, Fed Square, until 31 January 2027. It follows Preston from Adelaide through Paris, Mosman and Berowra, and presents her both as the architect of Australian modernism and as a figure still debated for her appropriation of First Nations design. In Sydney, Michael Reid offers a rare companion to it: eight woodcuts made between 1925 and 1939. They run from Native Flowers, which appeared on the cover of Art in Australia, to the unique Berowra impression Old Banksia Tree. The prints are offered together as one indivisible collection for $255,000.