Riverbound

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Riverbound

This month, Michael Reid Sydney + Berlin will present the latest work by leading Australian contemporary artist Catherine Nelson, who brilliantly recasts digital tools as a paintbrush for conjuring wildly immersive, impossible landscapes.

“From her studio in France, Nelson’s meditation on the Australian landscape carries the weight of distance, nostalgic romanticism, and the clarity of perspective that such remove can provide,” notes art adviser and writer Sarah Hetherington in the catalogue essay accompanying Nelson’s extraordinary new pair of works, Riverbound I and II.

Each image is a painstaking, labour-intensive digital construction, where every element is composed of dozens of photographs, creating what Nelson refers to as “distortion on distortion” or a type of hyper-collaging. Nelson’s intention is to capture “a more honest image that reflects my experience and emotional response to this staggeringly beautiful and unique part of the world.” Further, Riverbound marks a significant departure from Nelson’s macro/micro spherical previous series of works. Now the viewer is positioned within the scene rather than observing from afar.

Riverbound I and II reject the traditional single-point perspective of photography and are particularly striking in their temporal and spatial complexity. Instead, the images offer something more akin to the way memory works – an immersive, multi-layered experience. The tilted plane of the river becomes a mirror, the space between the sky and its reflection in the water is collapsed. Nelson describes this as “an absence of separation,” a unity that also speaks to an ecological interconnectedness.

For further information please email dean@michaelreid.com.au.

11th Asia Pacific Triennial: Mai Nguyễn-Long

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11th Asia Pacific Triennial: Mai Nguyễn-Long

  • Artist
    Mai Nguyễn-Long
  • Dates
    30 Nov 2024—27 Apr 2025
  • Catalogue
    Download now
  • Gallery Location
    QAGOMA

Michael Reid Sydney + Berlin is thrilled to announce the arrival of the most expansive and spectacular sculptural installation to date by Dharawal/Bulli-based multidisciplinary artist Mai Nguyễn-Long, whose monumental room-sized work The Vomit Girl Project is now showing at QAGOMA as a centrepiece of the 11th Asia Pacific Triennial of Contemporary Art.

With this towering achievement, Nguyễn-Long stands at the forefront of a global assembly of 70+ leading contemporary artists, collectives, makers and thinkers from more than 30 countries whose new and specially commissioned work is now lighting up the latest chapter of QAGOMA’s flagship program.

To celebrate the opening of APT11, we are pleased to highlight a selection of sculptures from The Vomit Girl Project that can already be viewed and acquired online, and we invite those interested in additional works from Nguyễn-Long’s epic QAGOMA installation to please contact a gallery representative.

“Vomit Girl has a whimsical, playful side informed by concepts of mistranslation, wordplay and idiosyncratic readings of Vietnamese folklore,” writes QAGOMA’s Associate Curator of Asian Art, Abigail Bernal, in the catalogue essay accompanying The Vomit Girl Project.

“Nguyen-Long describes her Vomit Girl sculptures as ‘contemporary folkloric forms’. In the artist’s words, they emerge from the proposal that contemporary art can draw from folkloric strategies to open up spaces for suppressed, hidden and new stories to emerge beyond diasporic trauma.”

To discuss works from The Vomit Girl Project and receive priority access to upcoming releases from Mai Nguyễn-Long, please email danielsoma@michaelreid.com.au

Mai Nguyễn-Long
Dobakapi Calendrical AWAD314, 2024
51 x 34 x 28 cm
$3,300
Mai Nguyễn-Long
Urn, Charred, Three Toads (AWAD303), 2024
23 x 23 x 22 cm
SOLD
Mai Nguyễn-Long
Blue and White Dobakapi 1, 2024
55 x 26 x 32 cm
$3,300
Mai Nguyễn-Long
Vigit Moc Mac (Ward 2), 2022
44 x 19.5 x 14 cm
$2,800
Mai Nguyễn-Long
Vomit Girl Classic with Six Arms + Vigit Hefeco Ewme (AWAD370), 2024
36 x 22 x 22 cm
SOLD
Mai Nguyễn-Long
Vomit Girl: Vigit (Fish Morph), 2017-2022
74 x 26 x 26 cm
SOLD
Mai Nguyễn-Long
Vigit Hefeco Classic + Vomit Girl Classic with Bud (Cat with Guts Out) with Poo Balls, 2024
24 cm tall, 32 x 18 x 13 cm
Mai Nguyễn-Long
Vigit (Spirit Bird)
8 x 2.5 x 2.5 cm
$900
Mai Nguyễn-Long
Vigit Moc Mac (Gloss Ward 1), 2022
51.5 x 19.5 x 18 cm
SOLD
Mai Nguyễn-Long
Dobakapi Mammiform Shooting Buds (AWAD323), 2024
88 x 44 x 44 cm
$5,500
Mai Nguyễn-Long
Dobakapi Mammiform (AWAD311), 2024
59 x 37 x 33 cm
$3,300
Mai Nguyễn-Long
Vigit Hefeco 6, 2023
46 x 26 x 19 cm
$2,800
Mai Nguyễn-Long
Vigit Hefeco 7 (One Arm), 2023
56 x 29 x 23 cm
$3,300
Mai Nguyễn-Long
Vigit Hefeco 4 (with Worana Hat and Pocket Mini), 2023
75 x 32 x 22 cm
$4,500
Mai Nguyễn-Long
Doba – Vomit Girl: Vigit (Doba Pollop), 2022
18 x 18 x 17 cm
SOLD
Mai Nguyễn-Long
Vomit Girl: Vigit (Blue Pinch), 2022
5 x 11 x 9 cm
$500
Mai Nguyễn-Long
Vigit (Flower Hand)
10 x 13 x 13 cm
$500
Mai Nguyễn-Long
Doba (Scratched), 2023
12.5 x 8.5 x 7.5 cm
$900
Mai Nguyễn-Long
Vigit Hefeco 2, 2023
32 x 18 x 12 cm
$2,800
Mai Nguyễn-Long
Dobakapi 2, 2023
46 x 22 x 22 cm
$2,800
Mai Nguyễn-Long
Blue and White Dobakapi 2, 2024
54.5 x 28 x 23 cm
$3,300
Mai Nguyễn-Long
Foyot Cat Flux, 2023
35 x 18 x 19 cm
$2,100
Mai Nguyễn-Long
Foyot Cat 3 (with Baby), 2023
28.5 x 13 x 12 cm
SOLD
Mai Nguyễn-Long
Vomit Girl Classic: Day Of The Dead Vigit, 2017-2022
47.5 cm tall
SOLD
Mai Nguyễn-Long
Vomit Girl Classic with Eggs and Bird (AWAD388), 2024
40 x 25.5 x 21 cm
$2,100
Mai Nguyễn-Long
Vomit Girl Classic with Baby (AWAD386), 2024
26.5 x 21 x 18 cm
$1,650
Mai Nguyễn-Long
Possum Cat, 2023
38 x 20 x 14 cm
$2,100
Mai Nguyễn-Long
Doba With Arms, 2023
23.5 x 27 x 21 cm
SOLD
Mai Nguyễn-Long
Doba (AWAD342), 2024
38.5 x 15 x 15 cm
$2,100
Mai Nguyễn-Long
Vigit (Gloss Ward 2), 2023
53.5 x 20 x 18 cm
$3,300
Mai Nguyễn-Long
Vigit (Gloss Ward 3), 2023
42.5 x 15 x 13.5 cm
$2,800
Mai Nguyễn-Long
Vigit Hefeco 3 (Grenade Hat), 2023
90 x 23 x 22 cm
SOLD

Reverence to the Bull

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Reverence to the Bull

  • Artist
    Fliss Dodd
  • Dates
    28 Nov—20 Dec 2024
  • Catalogue
    Download now
  • Gallery Location
    Eora / Sydney
Arriving this week at Michael Reid Sydney and now available to preview by request, Reverence to the Bull is a stunning new collection of lithe and lyrical sculptures brought to life by celebrated contemporary artist Fliss Dodd.

This latest series sees the introduction of ultramarine and glittering gold details to the artist’s wonderfully charismatic, elegantly abstracted, voluptuous bovine figures. Once reserved for royalty and sacred customs, these rich, jewel-like tones now adorn select pieces by Dodd, playing out alongside her signature palette of earthy terracotta and monochrome clay to evoke a sense of reverence and celebration.

Arriving after her tremendously successful, sell-out solo show at our Murrurundi gallery, this is Dodd’s first exhibition at our flagship Sydney exhibition space – a shift that has been met with a suitably ambitious body of work that expands the creative scope of her practice while remaining true to the sculptural signatures that have cemented her name at the forefront of the contemporary ceramics field.

“I use hand-rolled slabs of clay that are bent, folded and formed to create undulating curves,” says Dodd, whose work nods to the colourful adornment of bulls in Indian festivals. “The curves speak to the fluidity of movement and the strength found in balance. I carve small intricate, meticulous marks to music, adding an element of rhythm to the form and enhancing its beauty”.

Select pieces have been embellished with highly ornate patterned plinths – their carvings inspired by traditional textiles – and each bull is adorned with its own unique gilding. Dodd’s manner of working is best described as deeply intimate, rhythmic and thoughtful. Her work for this exhibition is a meditation on ritual, strength, beauty, balance, festivity, curiosity and quiet.

The artist fell in love with hand-building techniques under the tutelage of Hiroe Swen after completing studies in ceramics at ANU in the mid-1990s. Now living outside Berry on Yuin country, NSW, the artist has perfected this process with singular panache, imbuing each work with its own distinct personality while drawing on her deep fascination with other cultures.

Each work is enriched with delicate, intricately detailed carvings that evoke a sense of softness, warmth and harmony. These small, rhythmic, meditative markings are in sync with the musicality and movement of her pieces as they dance between gravitas and grace, high volume and quietude, elegance and idiosyncrasy.

To preview and acquire works by Fliss Dodd, please email colinesoria@michaelreid.com.au

The Paddington Project

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The Paddington Project

  • Artist
    Emily Gordon
  • Dates
    28 Nov—20 Dec 2024
  • Catalogue
    Download now
  • Gallery Location
    Eora / Sydney

One of the most beloved names in our Newport Gallery stable, Emily Gordon will present her first solo presentation at Michael Reid Sydney in December. This special release of five new paintings arrives after a succession of sell–out shows and also follows the artist’s shortlisting in this year’s Ravenswood Australian Women’s Art Prize.

Celebrating the titular neighbourhood’s densely layered streetscapes, The Paddington Project sees Gordon’s sweeping and delightfully detailed vistas expressed on her largest surfaces to date.

“I wanted to delve into a more intimate understanding of the distinctively local” says the artist, who beautifully captures the eclectic jumble of Victorian rooftops and gelato-toned terraces that spill over hilly topography. In this this quintessentially Sydney suburb of Paddington, Gordon has found the perfect subject to take her practice to a newly immersive scope.

Works of art in this exhibition are currently available to preview by appointment. Our exhibition will open to the public on Thursday November 28. To discuss an acquisition or to arrange a viewing appointment ahead of the exhibition opening, please email willkollmorgen@michaelreid.com.au

Bark Salon

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Bark Salon

  • Artist
  • Dates
    12 Dec 2024—12 Jan 2025
  • Catalogue
    Download now
  • Gallery Location
    Online

A Journey Through The Heart

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A Journey Through The Heart

  • Artist
    Julz Beresford
  • Dates
    28 Nov—20 Dec 2024
  • Catalogue
    Download now
  • Gallery Location
    Eora / Sydney

For our final major exhibition of 2024, Michael Reid Sydney will present the first solo exhibition from Dyarubbin/Hawksbury–based contemporary painter Julz Beresford since she was inducted into the gallery’s stable of artists. A Journey To The Heart will form a fabulous and fitting capstone to Michael Reid Sydney’s 2024 exhibition program, which commenced in January with Beresford’s widely celebrated show, Breathe Deeply.

Reflecting on her lifelong affinity for the Hawksbury region of New South Wales, the moody, atmospheric and monumental landscapes of Breathe Deeply were an immediate sell-out success, establishing Beresford as a rising art star whose work is closely watched and coveted in Australia and abroad.

In her newest exhibition, Julz Beresford explores changing light over the Hawksbury River, treating audiences to her exquisite renderings of dusk and dawn. Beresford’s paintings are awash with Romantic sensibilities, sending the viewer on a journey through glassy, rippling waterways that snake through tangles of bush and tumbling sandstone.

Motivated collectors were quick to acquire artworks from this exhibition at Sydney Contemporary 2024, most while still drying in the artist’s studio. Those seeking to acquire Beresford’s work are encouraged to contact danielsoma@michaelreid.com.au now, for access to and information about the artists first Regional Gallery exhibition taking place at The Basil Sellers Art Centre in March 2025.

Snakes and mirrors

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Snakes and mirrors

  • Artist
    Petrina Hicks
  • Dates
    23 Nov 2024—16 Feb 2025
  • Gallery Location
    Museum of Australian Photography (MAPh), Beyond

Michael Reid Sydney + Berlin is delighted to present Snakes and mirrors – a spectacular new body of work from one of Australia’s most acclaimed and influential contemporary artists, Petrina Hicks.

After a wonderfully received preview of select works from the series – which featured as part of Hicks’s recent survey show in Perth – Snakes and mirrors has now debuted with an expansive solo presentation at the Museum of Australian Photography in Melbourne, curated by MAPh director Anouska Phizacklea

Hicks’s large-scale photographs draw from mythology, fables and art history to re-frame contemporary female experience. Permeated with a sense of magical realism, animals and females often appear together to represent aspects of the psyche and allude to the complexities of female identity. 

Central are the porous boundaries between human and animal states and the affinities between females and animals. In Snakes and mirrors, Hicks contemplates the self-awareness of animals and our desire to understand the phenomenology of animal life from a human perspective. Underpinning this series is an exploration of animal consciousness: how do animals experience the universe? 

Hicks was moved by Austrian poet Rainer Maria Rilke’s Eighth Duino Elegy, which portrays the mystical relationship between humans and animals and contemplates how they experience time and phenomena differently. For Rilke, humans perceive time as a linear continuum of past, present and future, while animals exist in a unified, harmonious totality different to our worldview. 

Within Snakes and mirrors, Hicks challenges the traditional human-centred vision of the world to emphasise the interconnectedness of humans and animals – serpents, birds, monkeys and humans bind together, blurring the boundaries between the two in intimate vignettes that propose time in stasis.

Hicks’s MAPh exhibition marks the capstone to a remarkable year for the internationally celebrated artist. It arrives after the record-breaking secondary sale of her 2005 work Shenae and Jade, followed by another landmark auction result for her 2013 work Venus

Snakes and mirrors is Hicks’s first institutional showing on this scale since her celebrated retrospective at the National Gallery of Victoria, Bleached Gothic. “In Hicks’s work, we are drawn to the tiniest gesture or detail amplified beyond mundane reality into a zone of the imaginary,” writes curator Isobel Crombie in the lavishly illustrated monograph published alongside the 2019 exhibition.

All works from Snakes and mirrors can be explored and acquired below. For more, please email dean@michaelreid.com.au

The Garden Gallery

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The Garden Gallery

  • Artist
  • Dates
    14—29 Nov 2024
  • Gallery Location
    The Garden Gallery, Beyond

Michael Reid Sydney + Berlin is delighted to present a collection of extraordinary new works by a dynamic assembly of ten leading Australian contemporary artists – showing throughout November at The Garden Gallery in Sydney’s Royal Botanic Gardens.

Working across sculpture, painting and photography, this creative cohort includes many of the most acclaimed and influential voices in Australian art today – now joining forces for a special Michael Reid Beyond presentation conceived alongside the National Emerging Art Prize Winners’ Exhibitions. 

From a rhythmic, colour-soaked painting by internationally celebrated Ngan’gikurrungurr painter and master weaver Regina Pilawuk Wilson and the fecund floral dreamscapes of award-winning photographic fabulist Tamara Dean to a coterie of Troy Emery’s magnificent fringed sculptures, which slink, sashay and strike languorous poses on plinths and podiums throughout The Garden Gallery, this vibrant and diverse display celebrates the expansive possibilities sparked by a meeting of technical mastery and imaginative daring.

This alchemy is echoed throughout the solo exhibitions of the two major prizewinners from last year’s National Emerging Art Prize, painter Joe Whyte and ceramicist Annarie Hildebrand. We are pleased to complement their new bodies of work, Roma and Transience Cubed, with a buoyant group survey – a pairing that brings together two rising talents alongside some of the country’s most established names.

Reflecting the ambitions of our offsite projects platform to take contemporary art into spaces beyond Michael Reid’s five brick-and-mortar galleries, our installation at The Garden Gallery features spectacular, newly available work by Narelle Autio, Vicki Yatjiki Cullinan, Gerwyn Davies, Tamara Dean, Troy Emery, Michelle Gearin, Dr Christian Thompson AO, Lucy Vader, Regina Pilawuk Wilson and Djirrirra Wunuŋmurra Yukuwa.

The Garden Gallery is open daily from 10am to 4pm. Entry via Mrs Macquaries Road, opposite the Art Gallery of New South Wales.

For more, please email dean@michaelreid.com.au

Stockroom: Newcastle 2024

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Stockroom: Newcastle 2024

  • Artist
    Stockroom
  • Dates
    7—10 Nov 2024
  • Gallery Location
    Newcastle, Beyond

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