Chairs
- Chelsea Gustafsson
- 16 Nov—3 Dec 2023
- Murrurundi
Regina Pilawuk Wilson has in recent years become a shining light in the Australian Art landscape. As her immense presence continues to grow, her historical works are becoming increasingly sought after by collectors and institutions. We are excited to make this private offering of important historical works.
Ever since Regina Pilawuk Wilson’s golden yellow Syaw (fishnet) won the General Painting Award at the National Aboriginal and Torres Strait Islander Art Awards in 2003, her elegantly structured paintings have quietly but unequivocally fixed her name on the contemporary art map.
Regina Pilawuk Wilson is now Australia’s most senior contemporary female Aboriginal artist, and is one at the height of her creative powers. Wilson is the matriarch of her community and is a softly spoken, major force in the Australian art world today. Her relevance and the power of her work only continue to grow.
To discuss any of the works below or arrange a viewing (Chippendale) please contact: tobymeagher@michaelreid.com.au
Kôgábịnô is Mai Nguyễn-Long’s latest museum exhibition, which opens at Wollongong Art Gallery (WAG) from Saturday, 21 October. Curated by Adam Porter, this exceptional presentation assembles over 150 artworks, objects, and personal possessions that collectively amplify the catharsis of Nguyễn-Long’s compelling stories. This exhibition is the first to comprehensively address the contents of the artist’s recently acquired PhD, and exists to interrogate the messy edges of history, cultural identity and post-war diasporic trauma. In recent years, recognition of Mai Nguyễn-Long’s visual articulation has seen the artist represent Australia on the world stage, and we wish to congratulate Mai on yet another career-defining exhibition.
In collaboration with Adam Porter, Mai Nguyễn-Long has produced her most arresting exhibition to date. Displayed across seven vitrine cabinets in the Mann-Tatlow wing of WAG, Nguyễn-Long’s Vomit Girl armies appear playful, yet resilient. The exhibition is punctuated by the display of found and family artefacts, which beautifully illuminate the generational stories that directly inform the artist’s work.
Through her Vomit Girl installations, Mai Nguyễn-Long collides cultural artefacts and personal histories, borrowing from a Vietnamese village aesthetic known as mộc mạc. Mai Nguyễn-Long’s armies of Vomit Girl sculptures have make-believe conversations and are artistic devices that attempt to mend what feels irreparably broken.
Mai Nguyễn-Long joined Michael Reid Sydney + Berlin in 2023, debuting her Vomit Girl Stories exhibition to high praise. The potency of Nguyễn-Long’s visual language is both compelling and clever, positioning the artist as an important pillar of the Michael Reid stable of artists.
Kôgábịnô at Wollongong Art Gallery will exhibit from Saturday, 21 October 2023 to Sunday, 7 April 2024. Wollongong Art Gallery is located at 46 Burelli Street, Wollongong NSW 2500.
New Arrangements is the latest series of still-life paintings by Jane Reynolds and her first to be exhibited at Michael Reid Sydney.
Striking a fine balance of playfulness and precision, Reynolds is celebrated for her artfully constructed clusters of domestic objects interspersed with angular prisms, which she renders with meticulous, hyperreal detail while drawing out the dynamism of their intersecting forms.
These graphic, shapely compositions veer towards poppy abstraction while remaining in the tangible realm of still life. A masterly approach to light and colour sees her optically charged arrangements transcend realism to conjure an illusory, almost dreamlike mood.
With New Arrangements, Reynolds introduces fruit and soft, draped elements to her compositions, bringing an organic flourish that sits in elegant counterpoise with her hard-edged constructivist forms.
For an artist who has previously shown an affinity for mid-century architecture, this new series suggests an embrace of 1980s Memphis design with its strong geometry and graphic stripes – albeit tempered by a softer, autumnal palette of auburn, salmon, peach and ecru that reveals her skill and originality as a colourist.
Following her immensely successful shows at Michael Reid Murrurundi and Sydney Contemporary 2022, New Arrangements now marks a major breakthrough for Jane Reynolds.
The exhibition opens in the upstairs space at our Eora/Sydney gallery on Friday, 6 October. Works from the series can now be viewed online and acquired by contacting danielsoma@michaelreid.com.au
Painting Now spotlights six painters leading the charge in reshaping and redefining art’s most storied medium, breaking it open to bold new possibilities in pursuit of visually arresting, technically dazzling, conceptually driven practice.
In identifying these artists and bringing them together in a vibrantly curated show, Michael Reid Galleries seeks to amplify the most innovative voices in the contemporary painting field, giving collectors the opportunity to discover and acquire their work at its pivotal point of entry to the upper reaches of collectibility and demand.
Spanning a diverse array of painterly approaches, modes of expression and areas of critical inquiry, Painting Now finds six established practitioners at a moment of creative breakthrough. Operating at the cutting edge of their medium, these artists bring technical mastery, formal innovation and a zest for pushing the boundaries of what painting can be.
For more information, please contact dean@michaelreid.com.au
Eduardo Wolfe-Alegria works as both a painter and sculptor. Drawing from tropes of fantasy and mythology to reinterpret his environment, the artist creates imagery that is at once metamorphic, psychedelic and surreal. Laced with a distinctly queer sense of camp and humour, his fantastical artworks seek to remind us of our connection to the natural world, with its seen and unseen forces. Eduardo holds a Master of Fine Arts from Sydney College of the Arts and has exhibited across commercial and regional art galleries, most recently for the opening exhibition of Passage Gallery. He also teaches illustration and drawing at UTS.
For more information about works of art by Eduardo Wolfe-Alegria, please email dean@michaelreid.com.au
Thomas Kuss is a Chinese/German/Ni-Vanuatu/Australian painter practising on Gadigal land/Tempe whose work explores the many facets of his multicultural experience. From deeply personal origins, his paintings weave through a dialogue of truth and fiction to serve his evolving manifold racial identity. Through these complexities, Kuss’s bold, large-scale, narrative-driven work reflects the triumphs and tragedies of an ever-increasing multicultural humanity. Kuss completed a Bachelor of Visual Art and Design at ACU. He has since exhibited regularly, with four solo exhibitions across Sydney and Melbourne and numerous group shows. He has been a finalist in the Evelyn Chapman Art Award, Doug Moran Prize and Mosman Art Prize.
For more information about works of art by Thomas Kuss, please email dean@michaelreid.com.au
Megan Hales is an Eora/Sydney-based artist who has refined her extraordinary skills over ten years as a painter, muralist and fabricator. Exploring the ever tightening nexus between natural and human environments, Megan’s paintings are inspired by everyday chaos, presenting moments where nature intrudes on familiar urban scenarios. With an incredibly detailed hyper-realist approach – infused with hints of the carnivalesque and nods to Australian New Wave films – her cinematic paintings are thrilling to experience. The artist has exhibited in group shows in Sydney, Melbourne and Perth and was a finalist in The Darling Prize, The Blake Prize and Montalto Sculpture Prize. Most recently she was selected for the Art Incubator program, which will culminate with a major exhibition at Michael Reid Sydney.
For more information about works of art by Megan Hales, please email dean@michaelreid.com.au
Capturing the attention of a solid collector base both here and internationally, Annalisa Ferraris is known for her hard-edge minimalist style. With sharply drawn shadows and a distinct approach to colour, her cool depictions of empty swimming pools and angular architecture feature within some of Australia’s most stylish and directional interior spaces and have amassed widespread editorial coverage. Since graduating with Honours from the National Art School, Annalisa has been a two-time Brett Whiteley Travelling Art Scholarship finalist and a three-time Mosman Art Prize finalist. Her images exhibit a remarkable sense of control, captivating the viewer while begging the question: what lies beneath the surface?
For more information about works of art by Annalisa Ferraris, please email dean@michaelreid.com.au
Kathryn Cowen’s work is held in private collections throughout Australia, the Netherlands and the USA. Working across painting, sculpture and installation, the Eora/Sydney-based artist has exhibited at numerous commercial galleries and institutions since graduating with a Bachelor of Fine Arts (Hons) from the National Art School in 2007. Drawing on science fiction and revelling in colour and light, her large-scale atmospheric landscapes sit alongside smaller figurative works, vividly conjuring imagined, open-ended narratives through a dreamlike coalescence of disparate elements.
For more information about works of art by Kathryn Cowen, please email dean@michaelreid.com.au