Dr Christian Thompson AO: Sydney Contemporary 2024

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Dr Christian Thompson AO: Sydney Contemporary 2024

  • Artist
    Dr Christian Thompson AO
  • Dates
    5—8 Sep 2024
  • Gallery Location
    Sydney Contemporary 2024

At the 2024 edition of Sydney Contemporary, Michael Reid Sydney + Berlin will present a bold new photographic series by leading contemporary artist Dr Christian Thompson AO.

Titled Yabunbarru, this suite of four spectacular new images marks a thrilling evolution of the Bidjara artist’s singular practice and arrives at a significant moment in his globally celebrated career.

Earlier this year, Thompson was one of eight international artists chosen by the Marina Abramović Institute for a program of original performances staged at the Adelaide Festival. This project was closely followed by a major solo exhibition at the 4A Centre for Contemporary Asian Art, which saw the public debut of newly commissioned still and moving images alongside select works from his photographic archive. The debut of Yabunbarru also precedes MELT Festival, for which the artist will exhibit oversize photographs across the city of Brisbane.

Building on these recent creative triumphs while reflecting on the themes that have threaded through his practice over more than two decades, the artist’s upcoming series presents a dazzling inversion of the visual dynamics at play in his iconic flower walls. Once again, Thompson casts himself at the centre of his artfully constructed floral profusions, which appear thick with symbolism and swirl with questions around Australian history, legal fictions, notions of nationhood and intersectional identities.

But where these fecund arrangements once cascaded in abundance, swallowing the figure and flattening the pictorial plane, here, they cloak the artist’s body like armour and throw him into arresting relief against otherwise minimal, boldly coloured backdrops.

A distinctly Bidjara form of rarrk recurs throughout the series, staying true to the style of the artist’s Country and people. Taking its title from the Bidjara word that loosely translates to ‘the other side’, Yabunbarru is a powerful statement of First Nations sovereignty and queer subjectivity.

We are excited to host the international debut of Yabunbarru by Dr Christian Thompson AO at Sydney Contemporary, open 5–8 September at Carriageworks.

To receive a preview and priority access to the series, please email danielsoma@michaelreid.com.au

Trent Parke: Sydney Contemporary 2024

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Trent Parke: Sydney Contemporary 2024

  • Artist
    Trent Parke
  • Dates
    5—8 Sep 2024
  • Gallery Location
    Sydney Contemporary 2024

At Sydney Contemporary, Michael Reid Sydney + Berlin will host the highly anticipated Australian debut of Species – a spectacular new series from leading contemporary artist, Magnum photographer and master in his field Trent Parke.

Photographs from Species have already garnered international acclaim after being shown at Milan Design Week in a touring exhibition specially commissioned by Magnum Photos and Veuve Clicquot. A centrepiece of the series has since been selected for Australia’s most prestigious photo-based media award, the William and Winifred Bowness Photography Prize.

Captured through an extraordinary feat of endurance and technical wizardry, Species is a thrilling synthesis of Parke’s singular skill and aesthetic sensibilities. “Shooting directly into the sun, with what could be considered a telescope, is a challenge in itself,” says the artist, who lensed his subjects from a distance of 700 metres. “It was 1/2000th of a second, but three months in the making.”

The resulting pictures cast halcyon waterside scenes in a mythic light, with figures silhouetted against a monumental orb while leaping into glinting waters turned molten gold.

“The sun has always been a symbol of the great clock in the sky … the ultimate force of life,” says Parke, who, in 2007, became the first Australian inducted as a full member of Magnum Photos – a distinction he holds to this day.

The acute awareness of time that underpins his ultra-precise process rhymes beautifully with the air of nostalgia that breezes through his images, with the waning sun giving its final bursts of brilliance as swimmers seek ecstatic reprieve from the summer heat.

Parke sees Species as a meeting of two “symbols of universal energy” – the sun and the ocean melting together in a sumptuous pool of colour.

Sign up now to be the first to receive exclusive previews and priority access to this upcoming release before the art fair launches at Carriageworks this September.

For acquisition enquiries please email danielsoma@michaelreid.com.au

Narelle Autio: Sydney Contemporary 2024

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Narelle Autio: Sydney Contemporary 2024

  • Artist
    Narelle Autio
  • Dates
    5—8 Sep 2024
  • Gallery Location
    Sydney Contemporary 2024

Michael Reid Sydney + Berlin will present a spectacular new series of photographs by award-winning artist Narelle Autio at the 2024 edition of Sydney Contemporary.

Titled The Eyes of Her, the artist’s latest series plunges the viewer into mesmerising underwater worlds where ethereal figures swim from the inky depths towards the surface via effervescent swells and sweeping undulations.

“[I’m interested in] how beautiful [the water and ocean] can be, but also the beauty and danger coming together in a transformative space,” says Autio in a recent ABC profile.

The ocean has been an enduring muse for Autio, whose dazzling return to underwater photography – a practice she has perfected over three decades – follows an acclaimed solo exhibition of never-before-seen images drawn from her archive.

That show’s deep dive into her past work – combined with the expanded possibilities of a newly acquired, much larger digital camera – has now informed a sublime new suite of dreamlike images that subtly gesture to the mythical associations between women and water.

“Across the world, folk tales regale us with stories of mermaids, selkies and water sprites,” says Autio, reflecting on the thematic currents that emerged, quite unexpectedly, through the making of her new photographs. “Otherworldly creatures enticing us into the sea.”

Autio’s practice is animated by a mix of extraordinary technical rigour and the serendipitous possibilities of her immersive process. “The jetty is packed and full of humanity,” says the artist, whose images seem tinged with nostalgic affection for endless summer days by the sea.

“[Jetty jumpers] are just having fun, doing good things and just living – by circumstance and happenstance, you get something beautiful.”

To receive an early preview and priority access to works from The Eyes of Her by Narelle Autio, please email danielsoma@michaelreid.com.au

New Paintings

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New Paintings

  • Artist
    John Honeywill
  • Dates
    15 Aug—14 Sep 2024
  • Gallery Location
    Eora / Sydney

Across August and September, Michael Reid Sydney will exhibit the latest series of luminous still life paintings by celebrated Brisbane-based artist, John Honeywill.

Honeywill’s practice is propelled by the elusive, ineffable power of objects that hold his eye. By isolating these affinities against ambiguous, radiant planes, Honeywill manages to render his subjects with a meticulous precision that approaches the hyperreal. From sugary sweets to vessels enclosing peonies, magnolias or fruits, the artist’s closely observed subjects all appear lit from within.

This is John Honeywill’s fifth solo exhibition with the Gallery and his second in our Chippendale gallery space. New Paintings by John Honeywill will exhibit between 15 August and 14 September, with an opening reception occurring on Thursday 15 August, 6-8pm. The artist will be in attendance. Our event is open to all and will be sponsored by Sammy Piquant.

For more information on the artist’s work, please email danielsoma@michaelreid.com.au

Unproduced Screenplay

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Unproduced Screenplay

  • Artist
    Samuel Leighton-Dore
  • Dates
    15 Aug—14 Sep 2024
  • Gallery Location
    Eora / Sydney

Across August and September, Michael Reid Sydney will invite guest artist, Samuel Leighton-Dore to transform our mezzanine gallery by presenting a 220-piece wall based ceramic installation. Unproduced Screenplay (excerpt) is a visually delightful collision of disciplines that playfully interrogates social behaviour in public art spaces. Having recently exhibited at Tweed Regional Gallery, Unproduced Screenplay (excerpt) will show in a commercial gallery context for the first time, bringing a new dimension to the commentary threaded within the delicately constructed work of art.

Each piece of this ambitious installation is a hand-made ceramic form that collectively assemble to echo the typeface and layout of a film script. In its presence, the viewer assumes the role as protagonist, with the gallery behaving as the setting to an art themed micro-scene. Leighton-Dore’s work encourages the consideration of how we interact with contemporary art, and what role we play in imbuing art with meaning.

Unproduced Screenplay will exhibit between 15 August and 14 September, with an opening reception occurring on Thursday 15 August, 6-8pm. The artist will be in attendance. Our event is open to all and will be sponsored by Sammy Piquant.

For more information on the artist’s work, please email danielsoma@michaelreid.com.au

Samuel Leighton-Dore is a screenwriter, director, published author and visual artist who lives and works on the Gold Coast, Queensland. Across multiple intersecting disciplines, Leighton-Dore’s work brings a sense of heart and humour to complex themes of identity, sexuality and psychology.

Photos by Sabine Bannard and Aaron Chapman

Night Music II

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Night Music II

The first solo exhibition from India Mark since joining our stable of represented artists, Night Music forms a sequence of perfectly composed, intimately formed still-life paintings that shift between moments of quietude and tension in much the same way that a single piece of music might strike different chords and invite subtle variations in tone and textural nuance. “The same piece of music can be experienced in a variety of ways and interpreted differently depending on the interests of the conductor or musicians,” says the artist. “Composition notates the same objects, experiencing them in new ways. I am always fascinated that the same few objects can, with even the slightest difference in arrangement, be completely altered in feeling and nature.”

Working through the night hours to give her greater control of the light in her studio, Mark imbues her bijou canvases with velvety depth, glinting details and a featherlike haze emerging from fiery underpainting.

“This series leans mainly into my love for the paintings of Giorgio Morandi,” says Mark, who received the top award for an emerging artist in last year’s Lester Art Prize and was shortlisted for the 2023 Brett Whiteley Travelling Art Scholarship and Portia Geach Memorial Award. “In these works, I take reference from [Morandi’s] tendency to arrange objects in distinct units that draw emphasis on the connections and tensions between objects and the space around them.”

For information regarding acquisitions, please contact dean@michaelreid.com.au

The Hunt

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We are thrilled to present the latest release from leading contemporary Australian artist Joseph McGlennon. Titled The Hunt, this spectacular new suite of sweeping, panoramic scenes is a landmark entry in the artist’s celebrated body of work and the culmination of more than a decade of unparalleled photographic mastery.

The Hunt will debut with a special presentation from our offsite projects platform, Michael Reid Beyond, where the works will be staged against the gracefully weathered grandeur of the original colonial homestead at Throsby Park – a suitably handsome setting for the artist’s singular blend of old-world sumptuousness and bold contemporary vision.

The recipient of the 2015 Bowness Photography Prize – the country’s most prestigious award for photography – McGlennon’s work is held in numerous private and public art collections in Australia and abroad. His hybrid photographic practice is underpinned by an extraordinary technical rigour, producing images that meld lavish beauty with a powerful message about environmental fragility, colonial dislocation and the destructive folly of our attempts to dominate nature.

With his majestic recreations of animals in their habitats – from the first kangaroos seen by European eyes to the extinct Tasmanian Tiger fresh from killing its prey – the artist brings his subjects out of the realm of exotic specimen or historical curiosity and pushes them, living and breathing, into today.

Drawing on the primal tooth-and-claw drama of a 17th-century European deer hunt reimagined in the New World of colonial Australia, The Hunt marks a dazzling departure from the orthodoxies of contemporary photography by paying homage to the great Flemish painter Frans Snyders.

Looking back across time to march contemporary art forward, this collection of six new photographs channels the emotional elements of Snyder’s style: attention to detail, dramatic lighting and rich textures. These absorbing details add depth and complexity to the narrative, emphasising the interplay between light and shadow and creating a sense of movement within each image.

The components of these sprawling, tapestry-like scenes were all captured on a trip through the rugged outback landscapes around Castle Rock in the Flinders Ranges area of South Australia. After shooting hundreds of individual photographs, McGlennon spends weeks layering and arranging them to arrive at his final composition.

Throsby Park is a property of national significance, marking one of the first European settlements outside Sydney and the opening of the Southern Highlands of New South Wales. The Throsby Park Historic Site includes the 75-hectare core of the 400-hectare grant given to Dr. Charles Throsby in 1819. This rare, surviving property offers a strong sense of continuity from its early colonial origins and continuous family ownership. It symbolizes early colonial Australia and the lifestyle of its wealthier members, reflecting its use as an intense commercial mixed farm until Charles Throsby’s death in 1856.

The site is an intact example of a high-quality, intensely farmed cultural landscape that spurred rural expansion and squatting empires. It features rare 1830s farm buildings, played a key role in developing the colonial beef export industry, and is now known for equestrian activities. The property also contains archaeological deposits offering insights into its colonial activities. Conrad Martens celebrated Throsby Park’s qualities in a 1836 painting.

Throsby Park House, the centerpiece, possibly influenced by John Verge, is a significant milestone in Australian rural architecture. An early example of the ‘large verandahed cottage’ style, it sits atop a hill overlooking Moss Vale, making a strong visual statement with its position and surrounding landscape. The house, along with its furniture, represents the blend of English architectural demands, colonial climate, building conditions, and the aspirations of its builder.”

Michael Reid OAM

 

To receive a preview of The Hunt by Joseph McGlennon, please email dean@michaelreid.com.au

Mythologies

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Mythologies

  • Artist
    Petrina Hicks
  • Dates
    16 Aug—27 Sep 2024
  • Catalogue
    Download now
  • Gallery Location
    Perth Council House Gallery, Eora / Sydney, Beyond

We are thrilled to announce the return of Petrina Hicks to the West Australian capital with her upcoming solo exhibition, Mythologies, at Perth Council House Gallery.

Co-presented by the Perth Centre for Photography and our offsite projects platform, Michael Reid Beyond, this expansive public installation will mark the release of a spectacular suite of new works by the artist.

Staged alongside some of the most arresting and indelible images from Hicks’s archive and a suite of new sculptural works by acclaimed Perth-based contemporary artist Abdul-Rahman Abdullah, these four new releases will form an exclusive preview of an upcoming body of work by Hicks that will debut later this year at the Museum of Australian Photography in Melbourne.

Hicks is among Australia’s most esteemed and globally celebrated contemporary artists, having honed her distinctive photographic style and cemented her place at the forefront of her field over an extraordinary career spanning more than two decades.

The artist’s meticulously choreographed images are lensed with a heightened degree of precision that conjures an air of hyperreality, quoting and subverting the coolly seductive visual language of advertising while drawing motifs and symbolic allusions from classical mythology, folklore and art history.

Hovering in porous, indistinct spaces between different states of being – human and animal, adolescent and adult, static and inchoate – Hicks’s animals, totemic objects and female subjects project a beguiling equipoise against crisp, ambiguous backdrops, with their outward polish, stillness and quietude appealingly undercut by tension, eroticism or disquiet.

“In Hicks’s work we are drawn to the tiniest gesture or detail amplified beyond mundane reality into a zone of the imaginary,” writes curator Isobel Crombie in the monograph published to coincide with the artist’s major 2018 retrospective at the National Gallery of Victoria, Bleached Gothic.

Hicks’s Perth exhibition will be the capstone to a remarkable year, continuing a national tour and arriving soon after the record-smashing sale of her 2005 work Shenae & Jade at auction – a fantastic result for the artist and a watershed moment for the contemporary photography market more broadly.

To register interest in Mythologies by Petrina Hicks and receive early previews of her upcoming releases, please email dean@michaelreid.com.au

Yawkyawk

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Yawkyawk

  • Artist
    Owen Yalandja
  • Dates
    18 Jul—15 Aug 2024
  • Gallery Location
    Eora / Sydney

Michael Reid Sydney welcomes the latest body of work by Kuninjku artist Owen Yalandja, the winner of the Telstra Bark Painting Award at the 2023 National Aboriginal and Torres Strait Islander Art Awards.

This exhibition pools a series of Yalandja’s carved Mimih figures alongside his intricate paintings on bark for a dazzling dive through the stories of the Ancestral female freshwater spirit, the yawkyawk. As a senior member of the Dangkorlo clan, Yalandja is a custodian of the sacred billabong where the mermaid-like yawkyawk spirits reside near his outstation, Barrihdjowkkeng.

“Yawkyawk is my Dreaming,” says Yalandja, who works at Maningrida Arts & Culture on Kunibídji country in Arnhem Land, Northern Territory. “I love making these sculptures and I have invented a way to represent the fish scales on her body.”

Meticulously rendered, cascading water droplets play out alongside these shimmering scale effects, which Yalandja represents with the upsidedown v-chevron he developed while also applying the dotting style taught to him by his father, renowned artist Crusoe Kuningbal.

To register interest in Owen Yalandja, please email tobymeagher@michaelreid.com.au

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