Mythologies

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Mythologies

  • Artist
    Petrina Hicks
  • Dates
    16 Aug—27 Sep 2024
  • Catalogue
    Download now
  • Gallery Location
    Perth Council House Gallery, Eora / Sydney, Beyond

We are thrilled to announce the return of Petrina Hicks to the West Australian capital with her upcoming solo exhibition, Mythologies, at Perth Council House Gallery.

Co-presented by the Perth Centre for Photography and our offsite projects platform, Michael Reid Beyond, this expansive public installation will mark the release of a spectacular suite of new works by the artist.

Staged alongside some of the most arresting and indelible images from Hicks’s archive and a suite of new sculptural works by acclaimed Perth-based contemporary artist Abdul-Rahman Abdullah, these four new releases will form an exclusive preview of an upcoming body of work by Hicks that will debut later this year at the Museum of Australian Photography in Melbourne.

Hicks is among Australia’s most esteemed and globally celebrated contemporary artists, having honed her distinctive photographic style and cemented her place at the forefront of her field over an extraordinary career spanning more than two decades.

The artist’s meticulously choreographed images are lensed with a heightened degree of precision that conjures an air of hyperreality, quoting and subverting the coolly seductive visual language of advertising while drawing motifs and symbolic allusions from classical mythology, folklore and art history.

Hovering in porous, indistinct spaces between different states of being – human and animal, adolescent and adult, static and inchoate – Hicks’s animals, totemic objects and female subjects project a beguiling equipoise against crisp, ambiguous backdrops, with their outward polish, stillness and quietude appealingly undercut by tension, eroticism or disquiet.

“In Hicks’s work we are drawn to the tiniest gesture or detail amplified beyond mundane reality into a zone of the imaginary,” writes curator Isobel Crombie in the monograph published to coincide with the artist’s major 2018 retrospective at the National Gallery of Victoria, Bleached Gothic.

Hicks’s Perth exhibition will be the capstone to a remarkable year, continuing a national tour and arriving soon after the record-smashing sale of her 2005 work Shenae & Jade at auction – a fantastic result for the artist and a watershed moment for the contemporary photography market more broadly.

To register interest in Mythologies by Petrina Hicks and receive early previews of her upcoming releases, please email dean@michaelreid.com.au

Yawkyawk

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Yawkyawk

  • Artist
    Owen Yalandja
  • Dates
    18 Jul—15 Aug 2024
  • Gallery Location
    Eora / Sydney

Michael Reid Sydney welcomes the latest body of work by Kuninjku artist Owen Yalandja, the winner of the Telstra Bark Painting Award at the 2023 National Aboriginal and Torres Strait Islander Art Awards.

This exhibition pools a series of Yalandja’s carved Mimih figures alongside his intricate paintings on bark for a dazzling dive through the stories of the Ancestral female freshwater spirit, the yawkyawk. As a senior member of the Dangkorlo clan, Yalandja is a custodian of the sacred billabong where the mermaid-like yawkyawk spirits reside near his outstation, Barrihdjowkkeng.

“Yawkyawk is my Dreaming,” says Yalandja, who works at Maningrida Arts & Culture on Kunibídji country in Arnhem Land, Northern Territory. “I love making these sculptures and I have invented a way to represent the fish scales on her body.”

Meticulously rendered, cascading water droplets play out alongside these shimmering scale effects, which Yalandja represents with the upsidedown v-chevron he developed while also applying the dotting style taught to him by his father, renowned artist Crusoe Kuningbal.

To register interest in Owen Yalandja, please email tobymeagher@michaelreid.com.au

Nganampa Ngura (Our Country)

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Nganampa Ngura (Our Country)

  • Artist
    Vicki Yatjiki Cullinan, Emily Cullinan
  • Dates
    11 Jul—10 Aug 2024
  • Gallery Location
    Eora / Sydney

Our winter exhibition program is anchored by an expansive exhibition of new paintings by Emily Cullinan and Vicki Yatjiki Cullinan – mother and daughter artists, both of whom work from Iwantja Arts in the rocky desert country of Indulkana Community on the Anangu Pitjantjatjara Yankunytatjara Lands. Emily Cullinan and Vicki Yatjiki Cullinan are among the leading voices in one of the most dynamic, innovative and celebrated movements in contemporary First Nations painting.

One of the most senior women in her community, Emily Cullinan has been an integral part of the Iwantja art scene for many years and recently experienced a major breakthrough in her practice. Her vibrant paintings are inspired by memories of travelling vast distances on foot across APY Lands with her family.

Nganampa Ngura (Our Country) will have added resonance by placing Emily Cullinan’s work in dialogue with that of her daughter, Hadley’s Art Prize and Ravenswood Art Prize winner Vicki Yatjiki Cullinan, whose sublime perspectives of Indulkana Country are conjured via sweeps of deep red crested by rhythmic striations of purple.

All paintings from Nganampa Ngura (Our Country) by Emily Cullinan and Vicki Yatjiki Cullinan and be explored and acquired below. To discuss works from the exhibition with a gallery representative, please email danielsoma@michaelreid.com.au

Supernatural

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Supernatural

  • Artist
    Tamara Dean
  • Dates
    2 Jul—1 Sep 2024
  • Gallery Location
    Berlin

Supernatural pools a spectacular selection of photographs in the first solo exhibition ever staged in the German capital for leading Australian contemporary artist Tamara Dean.

This survey exhibition has been specially conceived to coincide with Dean’s showing in the world-famous outdoor photography festival, Photo La Gacilly. To celebrate the artist’s exciting career milestone and the expanded presence of her work in Europe, we are thrilled to present two previously unseen images – Sunken Forest and Tickled Pink – both making their world debuts as part of Dean’s Supernatural show.

Together with some of the final remaining editions of Dean’s most popular and acclaimed photographs, these two newly available works have now coalesced in a dazzling display that delights in the enmeshment of natural and human worlds.

All works from Supernatural by Tamara Dean are available to explore and acquire online and will be on view at Michael Reid Berlin until Sunday, 1 September. To request a catalogue and discuss works from the series – including the final remaining editions of Dean’s works Crossing Realms and Passion – please email: colinesoria@michaelreid.com.au

 

The Northern Beaches Edit: Volume II

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We are delighted to welcome the second edition of our Michael Reid Sydney x Northern Beaches Edit, presenting significant and spectacular works by some of the stars of our flagship Eora/Sydney gallery’s stable of represented artists at Michael Reid Northern Beaches.

From a fabulous rosy-toned fantasia from Gerwyn Davies and Troy Emery’s magnificent fringed sculptural fauna to a suite of arresting pictures by leading contemporary artist Petrina Hicks, crashing seascapes by Luke Shadbolt and beachcombed detritus delightfully lensed by Narelle Autio, this dynamic display brings several of Australia’s most acclaimed creative voices to the Northern Beaches for the first time.

Fresh from their showing at Sydney Contemporary 2024, these extraordinary established artists have now arrived at Michael Reid Northern Beaches with dazzling, original, collectable works drawn from the Michael Reid Sydney Collection, all beautifully reflecting the ideas and aesthetic codes that have animated their celebrated practice for decades.

To enquire about works from The Northern Beaches Edit: Volume II, please email northernbeaches@michaelreid.com.au

Archibald, Wynne and Sulman Prizes 2024

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Archibald, Wynne and Sulman Prizes 2024

Art Gallery of New South Wales recently announced the finalists of this year’s Archibald, Wynne and Sulman Prizes – three of this country’s most closely watched cultural accolades – and we are thrilled to share the news that two artists from the Michael Reid Sydney + Berlin stable have been selected for the class of 2024.

Fresh from the announcement of our representation of Megan Hales, the Eora/Sydney artist has been named a finalist in the Sir John Sulman Prize for her dazzlingly cinematic, staggering hyperreal nocturne Long Night.

Joining Hales at the Art Gallery of New South Wales is Naarm/Melbourne artist Juan Ford, whose extraordinary painting At the peak has been shortlisted for the Wynne Prize. This is Ford’s fifth nomination for the prestigious award, and the news arrives just as we gear up for a special release of new works by the artist – his first since joining the gallery’s stable last year.

Selected from close to 3000 submissions across the three prizes, the artists’ shortlisted works – Long Night and At the peak – are now available to acquire from Michael Reid Sydney and will be on view at the Art Gallery of New South Wales in the Archibald, Wynne and Sulman exhibition from next Saturday, 8 June, to Sunday, 8 September.

Deme Ngayi Napa Pupunyi – I made these mats with my hands

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Deme Ngayi Napa Pupunyi – I made these mats with my hands

  • Artist
    Regina Pilawuk Wilson
  • Dates
    6 Jun—6 Jul 2024
  • Catalogue
    Download now
  • Gallery Location
    Eora / Sydney

Ever since Regina Pilawuk Wilson’s golden yellow Syaw (fishnet) won the General Painting Award at the National Aboriginal and Torres Strait Islander Art Awards in 2003, her elegantly structured paintings have quietly but unequivocally fixed her name on the contemporary art map.

Regina Pilawuk Wilson is now Australia’s most senior contemporary female First Nations artist, and is one at the height of her creative powers. Wilson is the matriarch of her community and is a softly spoken, major force in the Australian art world today.

Michael Reid Sydney + Berlin is honoured to work with Regina Wilson and her Community, which has for two decades produced significant and bright creative outcomes.

Deme ngayi ngebenderridu tyabuty ngayi nimbi apirri nimbi demewurity yedi syaw, danifityatit dirrperderr e kuderri e Elifala kana Kagu dininganmadi waniwirrfimeleli Kagu wukume nyinda wadi leli. Ngenikeh ngayi mengindi yemewurity kana ngan caliku dide, deme tyabuty nayin nimbi deme wurity yedi apirri nimbi. Ngayi kana ngarimpek ngaganim tyabuty ngayi nimbi syaw demewurity yedi, nyinimbi deme nyinin ngarifityat pupunyi kana, deme ngayi ngarifityat syaw, pupunyi ngeremwurity ngaganim. Deme ngayi napa deti. Ngangi tyamen napa minde ngangi awa yeyi wirrim.

My grandfather, before European contact, used to make lots of fish traps to put in the rivers and billabongs to catch fish, turtle and prawns. My sister said for me to put the design onto the canvas so I can tell the story about what our grandfather used to do and the syaw and pupunyi, now the story is owned by me through painting and weaving. To share the story to the western world, wakai.

-Regina Pilawuk Wilson, 2024

For assistance with an acquisition please contact tobymeagher@michaelreid.com.au

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